The internet magazine of stage reviews and opinion

2023 – 2024

THE GREAT GATSBY (Triggering vs Earning – Part 2)

THE GREAT GATSBY (Triggering vs Earning—Part 2) Based on the novel by F. Scott Fitzgerald Book by Kait Kerrigan Music by Jason Howland Music by Nathan Tyson Directed by Marc Bruni Broadway Theatre Official Website Reviewed by David Spencer The Great Gatsby is best described as factory fresh Fitzgerald. It looks Art Deco great, it

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SUFFS (Triggering vs Earning – Part 3)

SUFFS (Triggering vs Earning—Part 3) Book, Music and Lyrics by Shaina Taub Directed by Leigh Silverman Music Box Theatre Official Website Reviewed by David Spencer Suffs is about the fight for women to vote in America, book-music-lyrics by Shaina Taub—who, shades of Lin-Manuel Miranda, has also written herself the leading role of suffragette Alice Paul.

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WATER FOR ELEPHANTS (Triggering vs Earning – Part 4)

WATER FOR ELEPHANTS (Triggering vs Earning—Part 4) Book by Rick Elice Music and Lyrics by PigPen Theatre Co. Based on the novel by Sarah Gruen Directed by Jessica Stone Imperial Theatre Official Website Reviewed by David Spencer   Water for Elephants is a musical adaptation of the novel by Sara Gruen, a memory story as

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SUNDAY IN THE PARK WITH GEORGE

SUNDAY IN THE PARK WITH GEORGE Music and Lyrics by Stephen Sondheim Book by James Lapine Directed and Choreographed by Eamon Foley Axelrod Performing Arts Center Reviewed by David Spencer I write this on Wednesday, March 20, 2024—and I write quickly and in brief because as of tonight, there are only seven more performances (through

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THE LIFE AND SLIMES OF MARC SUMMERS

THE LIFE AND SLIMES OF MARC SUMMERS Written by Alex Brightman Music by Drew Gasparini Directed by Chad Rabinowitz Starring Marc Summers New World Stages Official Website Reviewed by David Spencer I texted a good friend and sometime collaborator that I was en route to seeing The Life and Slimes of Marc Summers, and ID’d the

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THE CHRISTINE JORGENSEN SHOW

THE CHRISTINE JORGENSEN SHOW By Donald Steven Olson Directed by Michael Barkavia and Zoë Adams Featuribng Jesse James Keitel and Mark Nadler 59E59 Reviewed by David Spencer The Christine Jorgenson Show took me completely by surprise, and in a way it would be good if it took you by surprise too—the power of a genuine, sneak-up-on-you

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SPAMALOT

SPAMALOT Book and Lyrics by Eric Idle Music by John Du Prez & Eric Idle A new musical (lovingly) ripped off from the motion picture Monty Python And The Holy Grail Directed and Choreographed by Josh Rhodes St. James Theatre Official Website  Reviewed by David Spencer   Since its debut in 2005, there have been three

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I NEED THAT

I NEED THAT By Theresa Rebeck Directed by Moritz von Stuelpnagel Starring Danny DeVito A Production of the Roundabout American Airlines Theatre Reviewed by David Spencer   Theresa Rebeck is not only one of the most prolific American dramatists ever, and among the best; she’s also one of the most versatile. A veteran TV seies dramatis

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MIND MANGLER

MIND MANGLER by Henry Lewis, Jonathan Sayer and Henry Fields Directed by Hannah Sharkey New World Stages Official Website Reviewed by David Spencer English actor-writer-raconteur Stephen Fry, during an interview some 11 years ago, made a fascinating comparison between American and British comedic heroes, in particular as featured in sitcoms. American sitcom heroes, he said, always

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SCENE PARTNERS (Vineyard) WAITING FOR GODOT (Polonsky) ARCADIA (Bedlam)

SCENE PARTNERS (Vineyard) WAITING FOR GODOT (Polonsky) ARCADIA (Bedlam) Reviewed by David Spencer Here’s a quick overview of some shows that are nearing their run—in some cases extended run—completions Scene Partners, at the Vineyard—live-streaming its final four performances this week, worldwide—is a kind of mash-up play by John J. Caswell, Jr. Ostensibly it’s about the saga

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DRACULA: A COMEDY OF TERRORS

DRACULA: A COMEDY OF TERRORS  by Gordon Greenberg and Steve Rosen Directed by Gordon Greenberg New World Stages Official Website Reviewed by David Spencer   Theatrical parody of genre tropes is tough to get right. Too often, the target is misunderstood, or not sufficiently understood (under-understood?) and the proceedings descend into camp—or worse, are used as

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