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Celebrating
FIFTEEN
Years
on the web!
Standard
advisories, plus
legal notices and disclaimers, are at the bottom of the home page.
(Updated
Bi-Weekly*)
Current
Edition
Uploaded: 2/3/10
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For
previous reviews of current or recent
attractions,
see regional indexes at the bottom
of the Home Page.
New
Features This Edition:
New York critic David Spencer
reviews:
The agony of success ...
Present Laughter
by Noël Coward
Directed by Nicholas Martin
Starring Victor Garber
Roundabout Theatre Company
American Airlines Theatre
The agony of agony ...
A View from the Bridge
by Arthur Miller
Directed by Gregory Mosher
Starring Liev Schrieber, Scarlett Johansson,
Jessica Hecht and Michael Crostofer
Cort Theatre
Nothing is frozen ...
Time Stands Still
by Donald Margulies
Directed by Daniel Sullivan
Starring Laura Linney, Brian D'Arcy James,
Eric Bogosian and AliciaSilverstone
Manhattan Theatre Club at
The Samuel J. Friedman Theatre
and
A scandalous 1870 novel, an electric 2010 treatment
and very possibly the breakout performance of a new star ...
Venus in Fur
by David Ives
Directed by Walter Bobbie
Starring Nina Arianda and Wes Bentley
Classic Stage Company
New York critic Richard Gleaves
reviews:
An off-off Broadway surprise:
Perhaps the best new American play of the season ...
Safe Home
by Sean Cullen
Directed by Chris Henry
The Women’s Interart Center
San
Francisco critic Judy Richter
reviews:
Love and the mysterious benefactor ...
Music, Lyrics and Orchestrations
by Paul Gordon
Daddy Long Legs
Book and Direction by John Caird
from the novel by Jean Webster
Presented by TheatreWorks
Mountain View Center for the Performing Arts
and
Lust, jealousy and guilt, ancient-world style:
Some things never change ...
Phèdra
by Jean Racine
Translated and Adapted by Timberlake Wertenbaker
Directed by Carey Perloff
American Conservatory Theater
Florida critic Marie J. Kilker
reviews:
A bewildering Pulitzer nominee ...
Hearts
by Willy Holtzman
Directed by Greg Leaming
Asolo Repertory Theatre
FSU Center for the Performing Arts/Mertz Theatre
How pop songs define their era -- and vice versa ...
Reflections
Developed by Richard Hopkins, Rebecca Langford, Jim Prosser
Directed and Choreographed by Bill Castellino
Florida Studio Theatre's Goldstein Cabaret
Comedy is never foolproof ...
Sly Fox
by Larry Gelbart
Directed by Murray Chase
Venice Theatre’s Mainstage
and
The distaff answer to Forever Plaid ...
The Marvelous Wondrettes
Book by Roger Bean
Various Composers & Lyricists
Directed by Larry Raben
Golden Apple Dinner Theatre
Los Angeles critic Penny Orloff
reviews:
Those absurdly patient clowns ...
Waiting for Godot
by Samuel Beckett
Directed by Andrew Traister
A Noise Within
Finally:
Twin Cities critic Vlad Dima
reviews:
Adequate passion ...
Romeo and Juliet
by William Shakespeare
Directed by Penny Metropulos
Guthrie Theater
and
A dark yet brilliant comedy ...
Stones in His Pockets
by Marie Jones
Directed by Michelle Hensley
Ten Thousand Things Theater
See Indexes
below for many more current and archived reviews!
Copyright
(c)2008 by
TheatreNet Enterprises
*Aisle
Say is updated bi-weekly. Depending upon the
variables of staff schedules, official opening dates of new
productions, and accessibility of the website's Internet service
provider, each new edition will appear in the time-window between
Sunday night and Wednesday morning. The Home Page will always display
the date of upload..
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Say welcomes reader response.
Click here to send a message
or write to
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Aisle Say
is a main listing, under "Magazines" at Theatre Central the 'net's primary Guide to
Web Theatre pages.
AISLE
SAY is not, nor has ever been,
nor would ever be, under any circumstances you could possibly devise,
imagine or postulate, in this or any alternate universe, connected to
or associated with the similarly titled column by Carolyn Albert,
appearing in the monthly hard copy publication Singles Almanac
In
1996, Carolyn Albert, plaintiff,
began legal proceedings against David Spencer, defendant, the webmaster
of this 'zine, claiming trademark infringement (specifically deliberate
misappropriation and likelihood of confusion) over the use of the
phrase AISLE SAY as an identifying mark. The case ultimately went to
trial in U.S. District Court, Southern District of New York, on
February 24,1998. There was no immediate decision rendered on that
date; nonetheless Ms. Albert's claim of misappropriation (understood as
theft with conscious intent to capitalize on the plaintiff's "good
name") was dismissed out of hand. To settle the "confusion" issue, two
noble young attorneys (Eric Weinstein on behalf of Carolyn Albert, Jon
Muskin on behalf of David Spencer), were instructed by the judge to
prepare briefs.
In
a decision rendered subsequently by
the Honorable John S. Martin, on August 20, 1998, the charges brought
about by Ms. Albert against Mr. Spencer were dismissed -- and it was
deemed legally proper for the AISLE SAY website to continue using its
title. Ms. Albert will, likewise, continue using the title to identify
her column; for the record, her right to do so was never challenged by
Spencer or any representative of the AISLE SAY cyber-zine. Basically
because we couldn't care less. Life is just too damn short for some
things. In any event, we went along for the ride, and she had her day
in court. It was worth the two grand in fees and court costs to be rid
of her. Which we, happily, remain unto this day.
It
is worth noting that the attorneys
for both parties were obtained through the New York City-based
Volunteer Lawyers for the Arts, which is herewith recommended to any
financially qualifying person in an artistic bind requiring legal
remedy.