Developed by Richard Hopkins, Rebecca Hopkins, Jim Prosser
Directed by Richard Hopkins; Musical Direction by Ryan
Touhey
Florida Studio TheatreÕs Goldstein Cabaret
1241 N. Palm Ave., Sarasota, 941-366-9000
March 1 through June 2, 2013
Reviewed by Marie J. Kilker
ÒBy GershwinÓ is a return to the kind of musical revues that
made FSTÕs cabaretsopopular.The music and lyrics are by George and Ira Gershwin and
range from the opening ÒI Got RhythmÓ to an operatic endingÑthe most
popular songs from ÒPorgy and Bess.Ó Two couples (white Stephen Hope and Liz
Power with African-Americans Robert H. Fowler and Jannie Jones) sing all
together, solos with and without backing from the others, and in pairs. The
backdrop is an arch of lights filled in with cleverly pleated curtain
predominantly hot pink.Pianist
Jim Prosser smoothly accompanies on stage to one side with sound engineer Dave
Corsello just to his side and not over-amping. Susan AngermannÕs costumes
follow the best supper club tradition of simple but elegant formality. At first
the guys are in black tux with red vests and pocket handkerchiefs; the second
half of the program has them in gray silk jackets and vests.The color schemes reversethe galsÕ opening shiny silver shoes and
gowns and bring them to black gowns in the second half of the show. (Red is
featured on LynnÕs top straps and backs as well as jewels.) Hats figure as
props in a few numbers, tastefully.
What little patter there is comes from Stephen Hope, mostly
to introduce the songs in time or context(such as from a musical). Hope, who has become a welcome perennial
performer at FST, again proves deft as choreographer for the simple, relatively
limited Cabaret stage space.HeÕs
helped by director Richard HopkinsÕ insistence that lyrics be well acted out.
The comedy standouts areLiz
PowerÕs ÒJennyÓ and HopeÕs professorial tongue twisting on ÒTchaikowsky (and
Other RussiansÓ) along with their collaboration on ÒLetÕs Call the Whole Thing
Off.ÓJannie Jones with Bob Fowler
do the sexiest bits: a politically incorrect ÒNaughty BabyÓ and very romantic
ÒIÕve Got a Crush on You.ÓÒClap
YoÕ HandsÓ by the group has the audience joining in. All in all, the singers
and pianist have certainly Got Rhythm that in its context at FST ÒÕS WonderfulÓ
indeed.
Kelsey Peterson is Stage Manager for the 90 min. revue.