AISLE SAY San Francisco

THOROUGHLY MODERN MILLIE

Music by Jeanine Tesori and others
Lyrics by Dick Scanlan and others
Book by Richard Morris and Dick Scanlan
Directed by Dennis Lickteig
Presented by Broadway By the Bay
San Mateo Performing Arts Center
600 N. Delaware St., San Mateo / (650) 579-5565

Reviewed by Judy Richter

Broadway By the Bay's production of "Thoroughly Modern Millie" is a thoroughly entertaining musical. Originally a film, it was adapted for the stage and outfitted with a book by Richard Morris and Dick Scanlan, new music by Jeanine Tesori and new lyrics by Dick Scanlan. Set in the Roaring Twenties, it's the story of a skilled but naive stenographer, Millie Dillmount (Melissa WolfKlain), who moves to New York City from Kansas, bobs her hair, shortens her skirts and determines to marry her rich boss -- as soon as she can find a job.

With more pluck than money, she rents a room at the Priscilla Hotel, which caters to young women much like herself She soon finds friends and a job with a rich, eligible boss, Trevor Graydon III (William Giammona), who has no interest in her other than the professional. In the meantime, she has met an equally penniless young man, Jimmy Smith (Ben Jones), who persistently courts her even though she's focusing on her boss. A subplot involves the evil hotel manager, Mrs. Meers (Mary Gibboney), who poses as a Chinese woman and who seems especially interested in tenants who are orphans.

Cleverly directed by Dennis Lickteig, the BBB production simply bubbles along with a terrific cast of talented singers/actors/dancers -- nary a weak link among them. The songs are mostly bouncy, and many of them are filled with musical allusions to composers like Sullivan, Tchaikovsky, Offenbach and Rossini, increasing the fun for lovers of classical music. As for Robyn Tribuzi's choreography, it's just one eye-poppingly precise delight after another. Her husband, Attilio Tribuzi, serves as musical director and has the orchestra playing well.

WolfKlain, the show's only Equity performer, is a pert, determined Millie who also shows her character's vulnerability. She's well-paired with Jones as Jimmy, who has a pleasing tenor voice. Giammona is nicely pompous as her boss, while Gibboney makes one want to boo Mrs. Meers' villainy. There are lots of standouts in the supporting cast, with Dominique Bonino as Miss Dorothy Brown, Millie's new best friend; and Joshua Lau as Ching Ho and Jeffrey C. Wang as Bun Foo, the Chinese brothers who are coerced into helping Mrs. Meers with her misdeeds. Also lending strong support are Heather Orth as Miss Flannery, the dowdy, uptight office manager; and Jackie De Muro as Muzzy Van Hossmere, a rich, popular cabaret singer. The large ensemble is engaging, too.

The sets are by Gateway Playhouse (lighting by Michael Ramsaur), and the colorful costumes come from The Theatre Company.

"Millie" is yet another feather in BBB's hat, a thoroughly professional, thoroughly enjoyable experience.

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