Index of Road Company Reviews

(Please note: The majority of AISLE SAY's theatre reviews were and are written in the wake of opening week performances. So, unless specifically indicated, cast replacements, and the quality with which a long running tour is being maintained, will not necessarily be reflected. The Road Company Index will feature as many reviews of a given production as are logged by the respective regional critics who may cover it during its run.)

2015-2016 Season

  • Bullets Over Broadway (Philadelphia Review)
  • Memphis (Philadelphia Review)

    • 2014-2015 Season

  • The Book of Mormon
  • Kinky Boots (National Tour)
  • Motown: The Musical (National Tour)
  • Wicked (San Francisco Review)

    • 2013-2014 Season

  • Once (Philadelphia Review)
  • The Book of Mormon (Philadelphia Review)
  • The Gershwins' Porgy and Bess
    •

    2012-2013 Season

  • Catch Me if You Can (Philadelphia Review)
  • Les Miserables 25th Anniversary Tour (San Francisco Review)
  • Memphis (San Francisco Review)
  • Million Dollar Quartet (Philadelphia Review)
  • Priscilla, Queen of the Desert: The Musical (Philadelphia Review)
  • Sister Act (Philadelphia Review)
  • War Horse (San Francisco Review)
    •

    2011-2012 Season

  • Billy Elliott  (San Francisco Review)
  • Memphis (Philadelphia Review)
  • Next to Normal (Philadelphia Review)
  • The Lion King (Twin Cities Review)
    •

    Archive of Previous Seasons (Incomplete)

  • Aida (Philadelphia Review of Non-Equity Big Leagues Tour)
  • Alfred Hitchcock's The 39 Steps (San Francisco Review)
  • Alfred Hitchcock's The 39 Steps (Philadelphia Review)
  • Art (Toronto Review)
  • August: Osage County (San Francisco Review)
  • August: Osage County (Toronto Review)
  • Avenue Q (San Francisco review)
  • Avenue Q (Philadelphia review)
  • Beauty and the Beast (Philadelphia Review)
  • The Best Little Whorehouse in Texas (Cincinnati Review)
  • The Best Little Whorehouse in Texas (Minneapolis Review)
  • Big River: The Adventures of Huckleberry Finn (Def West; Philadelphia Review)
  • Billy Elliott: The Musical (Philadelphia Review)
  • Cabaret (San Francisco Review)
  • Cabaret (Cincinnati review)
  • Cabaret (Toronto Review)
  • Chicago (San Francisco review)
  • Chicago (2006 San Francisco Review / Return Engagement)
  • Chicago (Toronto Review)
  • Chicago (Chicago Review)
  • Chicago (Twin Cities Review)
  • Chicago (Philadelphia Review)
  • Cinderella (Cincinnati review)
  • The Civil War (Cincinnati Review)
  • The Color Purple (San Francisco Review) 
  • Contact (San Francisco Review)
  • Contact (Toronto Review)
  • Copenhagen (San Francisco Review)
  • Copenhagen (Boston Review)
  • Dinner With Friends (Boston Review)
  • Dirty Rotten Scoundrels (San Francisco Review)
  • Doubt (Boston Review)
  • Doubt (San Francisco Review)
  • Doubt (Chicago Review)
  • Doubt (Philadelphia Review)
  • Doubt (Florida Review)
  • The Drowsy Chaperone (Toronto Review)
  • Fame (Connecticut Review)
  • Fiddler on the Roof starring Theodore Bikel (Twin Cities Review)
  • Fiddler on the Roof starring Harvey Fierstein (Toronto Review)
  • Forbidden Broadway, 25th Anniversary (San Francisco Review)
  • 42nd Street (Seattle Review)
  • Fosse (Washington D.C. Review)
  • Fosse (Cincinnati Review)
  • Fosse (Toronto Review)
  • The Full Monty (Toronto Review)
  • The Full Monty (Washington D.C. Review)
  • Grease with Frankie Avalon (Philadelphia Review)
  • Hair (San Francisco Review)
  • Hairspray (Twin Cities Review)
  • Hairspray (Philadelphia Review)
  • Hairspray (San Francisco)
  • In the Heights (Philadelphia Review)
  • In the Heights (Florida Review)
  • James Joyce's "The Dead" (San Francisco Review)
  • Jekyll and Hyde (Washington D.C. Review)
  • Jekyll and Hyde (Cincinnati Review)
  • Jersey Boys (San Francisco)
  • Jersey Boys (Philadelphia review)
  • Legally Blonde (Philadelphia Review)
  • Les Misérables (Twin Cities Review)
  • Les Miserables: 25th Anniversary Tour (New York Environs Review)
  • Little House on the Prairie: The Musical (New York Environs Review)
  • Little House on the Prairie: The Musical (Toronto Review)
  • Little Shop of Horrors (Philadelphia Review)
  • The Lion King (San Francisco Review)
  • The Lion King (Toronto Review)
  • Mamma Mia! (San Francisco Review)
  • Mary Poppins (Philadelphia Review)
  • Mary Poppins (Toronto Review)
  • Miss Saigon (Boston Review)
  • Movin' Out (Philadelphia Review)
  • Movin' Out (Twin Cities Review)
  • Next to Normal (San Francisco Review)
  • Othello (Guthrie Tour) (Boston Review)
  • Peter Pan (Seattle Review)
  • Peter Pan (Philadelphia Review)
  • The Producers (San Francisco Review)
  • Proof (Boston Review)
  • Proof (Seattle Review)
  • Rent (San Francisco Review)
  • Rent (Washington D.C. Review)
  • Rent (Twin Cities Review)
  • Rock of Ages (Toronto Review)
  • The Scarlet Pimpernel (Cincinnati Review)
  • Sweeney Todd The John Doyle Production (San Francisco Review)
  • South Pacific Lincoln Center Theatre Revival 2009 (San Francisco Review)
  • Spamalot (San Francisco Review)
  • Spring Awakening (Toronto Review)
  • The Tale of the Allergist's Wife (San Francisco Review)
  • The Tale of the Allergists's Wife (Twin Cities Review)
  • Titanic (Cincinnati Review)
  • 3 Mo' Divas (Toronto Review)
  • Thoroughly Modern Millie (San Francisco Review)
  • Twelve Angry Men (Chicago Review)
  • The 25th Annual Putnam County Spelling Bee (San Francisco Review)
  • The 25th Annual Putnam County Spelling Bee (Boston Review)
  • The 25th Annual Putnam County Spelling Bee (Florida Review)
  • The 25th Annual Putnam County Spelling Bee (Philadelphia Review)
  • Urinetown (San Francisco Review)
  • Urinetown (Boston Review)
  • The Vagina Monologues (Northampton, MA Review)
  • Whistle Down the Wind (Philadelphia Review)
  • The Who's "Tommy" (2002 National Tour, Philadelphia Review)
  • Wicked (San Francisco Review 2005)
  • Wicked (San Francisco Review 2009)
  • Wicked (Philadelphia Review)
  • Wit (Washington D.C. Review)
  • Wit (San Francisco Review)
  • Young Frankenstein (Toronto Review)
  • Young Frankenstein (San Francisco Review)
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